Body Horror

‘Cull The Culture’ is as animated as its predecessor, the snaking bass groove in the track feels like a sonic joyride for outsider-rock fanatics. The track is a snarling noise rock spectacle bathing in the ashes of post-punk, a 4-minute-odd tip of the cap to cult heroes The Birthday Party, or The Prodigy in its intensity, but seeking to tread its own rotting path, vocally and lyrically soaked in the hypervigilance of modern society. 

Quote from the band:

"The idea came from symphorophilia which I read about in a J.G. Ballard novel 'Crash'. It’s this fetish for wanting to be in a horrific accident like a car crash. I wanted to retell it in a grim but funny way with this group of desperate, messed up guys getting turned on by roleplaying as crash test dummies. It’s so dumb but that's what made it so much fun to make."

The music video for ‘Cull The Culture’ is akin to watching a car crash - in this case quite literally - as darkness falls over a seedy, but seemingly normal industrial estate and society’s strangest corners are explored. We just can’t tear our eyes away from humanity as it self-destructs, over and over again. Body Horror bathe in the sonic-strange of contemporaries Scalping or Snapped Ankles in both their audio and visual output, wildy willing to push boundaries and explore the darker topics laying dormant in society today.  

Their debut single and music video for ‘The Gimps Gimp’ dug into the society’s best kept secrets in a filthy and deranged take on BDSM, championed by Adam Walton on BBC Introducing Wales and gathering support  from Amazing Radio, Boogaloo Radio, Horizons/ Gorwelion, Threads Radio and iHeartRADIO in the US, rattling the blogosphere with praise from Hard Of Hearing, RIOT Magazine, Rock Era Magazine, American Pancake, White Light/ White Heat, Mystic Sons, Turn Up The Volume, The Velvet Independent, destroy/exist, Dansende Beren, Dead Good, Play It Loud and more.