Shamir

city: Philadelphia
country: USA
genre: Alternative
styles: Indie Pop, Indie Rock

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on hashbrandnew.com since June 11, 2020

ABOUT THIS ARTIST

A truly eclectic artist, Shamir unites his forays into lo-fi indie rock, country, and witty electro-pop with his confessional songwriting and affecting countertenor voice. When he emerged with 2014's Northtown EP and the following year's full-length Ratchet, the blend of '90s house, pop, and R&B on those releases won him critical acclaim. However, he had to make music that felt truer to himself, and on 2017's self-released Hope, he returned to the rawer sound and soul-baring songwriting of his early music-making days. From there, he followed his muse wherever it took him on 2019's twangy Be the Yee, Here Comes the Haw and 2022's Heterosexuality, which found him embracing pop on his own terms.

Growing up in Las Vegas' Northtown area, Shamir Bailey listened to music ranging from Billie Holiday to OutKast to Janis Joplin and found inspiration in his songwriter aunt. After getting a guitar from his mother when he was nine, he taught himself to play it (albeit upside down). With his friend Christina Thompson, Bailey formed the indie pop duo Anorexia, who released the 2013 EP Bedroom Songs and played South by Southwest.

Around this time, Shamir also began writing songs with dance beats. He sent some of his work to producer Nick Sylvester, who helped shape Shamir's new approach into pulsing yet affecting songs that earned favorable comparisons to the likes of Grace Jones and the DFA Records roster. The first fruit of their collaboration, "If It Wasn't True," arrived in February 2014 on Sylvester's God Mode label. That June saw the release of the Northtown EP, which included that song as well as a cover of Canadian country singer Lindi Ortega's "Lived and Died Alone." Shamir signed to XL soon after the EP arrived, and released his breakthrough single "On the Regular" -- a cheeky mix of house and hip-hop that he wrote within minutes -- in October. His debut album, Ratchet, arrived in May 2015, and he spent the next couple of years touring with Years & Years and Troye Sivan.

After parting ways with XL, Shamir issued the free album Hope, a return to his lo-fi roots, in April 2017. Not long after its release, Bailey was diagnosed with bipolar disorder. He returned to Las Vegas to recover, and wrote and recorded the bulk of Revelations on a four-track recorder in two weeks. Father/Daughter Records released the album in November 2017. After a move to Philadelphia, Shamir became even more prolific, collaborating with Rina Sawayama on the RINA EP and performing on the television shows Dear White People and Tuca & Bertie. He kicked off 2018 with a flurry of activity, releasing the Room EP in February and following it a month later with the full-length Resolution, which dug deeper into the raw sound of Hope and Revelations and explored racism and other social injustices. In April, he and Mac DeMarco covered Beat Happening songs on a Record Store Day single.

Shamir remained busy in 2019 with the country-tinged Be the Yee, Here Comes the Haw and released a pair of albums in 2020. The first, Cataclysm, appeared in March; the second, Shamir, arrived in October and touched on pop as well as the sounds of '90s indie rock. A cover of Billie Eilish's "Ocean Eyes," a version of Sharon Van Etten's "Dsharpg" for the tenth anniversary reissue of Epic, and a collaboration with Oberhofer arrived in 2021. The self-released album Heterosexuality -- which featured some of Shamir's most revealing songs -- followed in February 2022. Early 2023 saw the release of a deluxe reissue of Hope that included two bonus tracks. ~ Heather Phares, Rovi

Source [Spotify]