Pendant

Los Angeles native Chris Adams who makes music under the moniker PENDANT (all caps) has dropped another song / video “Static Dream” from his forthcoming Saddle Creek debut Harp, available April 8th. Directed by Ramez Silyan (Lil Peep, The Neighbourhood, etc.) and starring Adams, the video is Trainspotting meets Terminator 2 (chase scene) soundtracked by a gripping mix of electronic pop and post-punk. Vocals are placed within the kinetic, brilliantly twisted soundscape like an additional instrument, always in service of Adams’ surreal and anti-gravitational world, a world brought to life by the video. He notes of the song "I wrote Static Dream after seeing my late father in my sleep one night. The dream was chaotic and sad but over the following day I felt a closeness to him I hadn't felt since his passing. It felt like a new memory I was able to forge with him outside of space and time." 

PENDANT has also announced a tour in support of the album. Kicking off April 7th in LA and wrapping up April 27th in Seattle the tour will make stops in Brooklyn, DC, Philadelphia, Oakland, Portland, and more. See below for full dates. 

A lush, surprising new body of work from the producer and songwriter, Harp connects 90s house and rave music with hip-hop, shoegaze, and pop, and which serves as a culmination of years of painful emotional work for Adams brought on by the death of his father over 10 years prior. Though Harp is Adam’s sophomore album as PENDANT it feels like a starting point. The release of his 2019 debut Through a Coil was shadowed by the public dissolution of the record label it was released on the day it was released. A year later he was burnt out. Attempting to tour the album had been hard on his voice, and the structures of rock music, which had dictated his entire life as a musician, were beginning to feel claustrophobic.

Los Angeles-via-Oakland musician Chris Adams who makes music under the moniker PENDANT releases his Saddle Creek debut Harp, on April 8th. A lush, surprising new body of work from the producer and songwriter, Harp connects 90s house and rave music with hip-hop, shoegaze, and pop, and which serves as a culmination of years of painful emotional work for Adams brought on by the death of his Father over 10 years prior. Though Harp is Adam’s sophomore album as PENDANT, it feels like a starting point. The release of his 2019 debut Through a Coil was shadowed by the dissolution of the record label it was released on the day it was released. A year later he was burnt out. Attempting to tour the album had been hard on his voice, and the structures of rock music, which had dictated his entire life as a musician, were beginning to feel claustrophobic.

PENDANT’s salvation came, ironically, in the form of the pandemic. Adams was ready to make new music but was both mentally and physically marooned, unable to reach the tools he would ordinarily use to make music or the headspace he would ordinarily inhabit. Without a guitar, the crutch that had supported much of his music-making in the past, he was forced to sketch out Harp’s world in a more impressionistic, free-associative way. Long a fan of dance and electronic music, he was suddenly without any good reason to not venture into that beat-heavy, synth-drenched world. The resulting Harp recalls the precise but emotionally rich landscapes of Arca or Oneohtrix Point Never, rendered in the watercolors of My Bloody Valentine.