“Hi, it’s me” introduces Memory of Speke’s lead singer Tegen Williams, quickly establishing a sense of familiarity that draws the listener in. For fans of the band, the excitement surrounding their debut single ‘Wife Once’ has been building for some time, fuelled by the group’s captivating stage presence and reputation for delivering theatrical performances throughout the London circuit.
Known for their tightly-woven grooves and songs that often emerge from full-band improvisation, Memory of Speke bring a striking blend of sound and style to their live shows, indulging in fantastical themes and backed with irresistible hooks. Williams’ charisma and playful charm fosters an immersive experience that leaves audiences hypnotised.
To accompany the release of the single, the group have unveiled a stunning music video directed by Fabian Frankel. A period piece which suitably serves the lyrical theme, the video features visually striking transitions that are both beautiful and disorienting.
The prickly opening guitar immediately sets a ska-infused tone, establishing a rhythmic framework that permeates the entire song. The sultry interplay between the guitar, bass, and drums creates a driving, suspenseful groove that sustains a sense of precariousness. The band’s ability to maintain a consistent and energetic rhythm throughout the track is impressive and the tight ensemble playing contributes significantly to the overall appeal. The creeping instrumentation is a suitable foundation to complement this haunting lyrical ballad.
Diving into the bitter aftermath of a failed relationship, the sense of intimacy established in the lyrics from the off conjures a sense of trust, inviting the audience to consider the narrator’s perspective. Williams delivers a powerful performance, embodying the persona of a woman who has been deeply hurt by love. Her voice is filled with both pain and a hint of bitterness, reflecting the narrator’s disillusionment with relationships. While the narrator’s warning against returning to a husband is rooted in her own experience, her perspective is tinged with a certain selfishness. Her bitterness at her own failed love affair seems to overshadow her concern for the listener’s well-being.
Williams’ ability to inhabit this character is impressive. She conveys the narrator’s emotions with conviction and passion, making the listener empathise with her pain. However, the song’s true power lies in its ambiguity. The narrator’s motives are left open to interpretation. Is her warning truly intended to protect the listener from heartache, or is it a veiled attempt to maintain a connection after being cast aside by society? This sense of mystery adds depth to the song and keeps you on tenterhooks.
Ultimately, ‘Wife Once’ is as compelling as it is eerie. Williams’ enthralling execution and the song’s ambiguous narrative make it a memorable and thought-provoking debut that sets a high bar for following releases.