Previous praise for Witch Fever:
“titanic riffs of classic rock and the gob of punk” - The Guardian
“‘Blessed Be Thy’ gorgeously captures exactly what makes Witch Fever so exciting: that thick, brutal curse of punk energy that makes your blood run cold.” - CLASH
“Insistent, Insurgent, and irresistable” - 9/10 Classic Rock
“This is a band with such clear talent, and if you aren’t picking this EP up from your local record shop you’re doing yourself a disservice." - 9/10 Gigwise
“Reincarnate is a powerful, fierce debut oozing with potential, with as many mighty riffs and snarling feminist putdowns as any rock fan could possibly want.” - 4/5 Kerrang! Magazine
“This is something that could scorch lawns and burn down buildings, this is Witch Fever” - Steve Lamacq, BBC6 Music
“With sharp percussion and a badass final verse, Witch Fever deliver a feminist punk anthem” - The Forty-Five
“These Mancunion doom-grungers summon a savage fury against patriarchy on their gloriously loud debut EP.” - The Observer
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Forming through Manchester’s close-knit alternative music scene in 2017, Witch Fever have a reputation for making riff-heavy, lyrically furious music that consistently bursts out of the confines of one genre, and today they announce debut album Congregation that’ll be released 21st October 2022 via Sony’s Music For Nations.
Congregation captures the 4 piece at their heaviest and most challenging yet. Produced by Pigs x7’s Sam Grant at Blank Studios in Newcastle, the album’s 13-tracks incorporate everything from sludge to new wave without lingering in one sound for too long - as a result, every track is built like a brick house – strong riffs and rhythm, but plenty of space within.
The title-track marks a complete departure into delirious post-punk, dragging along at a stalking pace with a sludgy Warpaint-inspired bass riff. Singer Amy Walpole’s voice has also evolved in every respect – the rasps are raspier, the screams more guttural, and the melodic moment cut through with a powerful grace and clarity.
On the single, Walpole said, “This is Alisha’s personal fave! It marks a new step in our development as songwriters as it’s something different from what we’ve done before. We allowed ourselves to experiment with space and dynamics and we love it!”
For the video, it was one of the first times the band worked with such a big team and the result is a polished, high fashion look, styled by Matt King who was behind ‘Blessed Be Thy’ as well as shoots with Shygirl, and Bimini.
Lyrically, Congregation draws largely on Walpole’s experience of growing up in a Charismatic Church – a form of Christianity that emphasises the work of the Holy Spirit, spiritual gifts, and modern-day miracles. She left the church when she was 16, and her parents followed suit two years later. Guitarist Alisha Yarwood also grew up in a church, though not to the same extent as Walpole, and all members agree that the themes of the album – control, abuse of power and patriarchal violence – resonate beyond a religious framework.
Walpole says on the album, “As our first album we’re really excited to just get it out there. We feel that it’s a step above what we’ve done before as we had a chance to experiment with sound and structure. It was our first opportunity to explore writing a body of work which was challenging but has been so rewarding!”
While the subject matter of their songs is often heavy, Witch Fever’s attitude certainly isn't. Their videos have always been vivid and playful, showing the band having as much of a laugh on set as they do at their shows or in the studio, plus a wardrobe that’s very London Fashion Week meets Berlin club night.
She continues, “It pushed our creative process because we also had to think about the songs sitting side by side on an album! We tried to break out of what makes a typical ‘witch fever’ song whilst still being true to what makes our sound what it is.”
Refusing to be confined by gender or genre, Witch Fever have always defied expectations as individuals in society. Now, they’re defying expectations as a band. Congregation is the sound of punk without boundaries of any kind, and with it they are ushering in a new era of heavy music that’s accessible, confrontational and, most importantly of all, a huge pressure release.
out on November 22, 2023
via Music For Nations
out on October 21, 2022
via Music For Nations
out on October 14, 2022
via Music For Nations
out on August 16, 2022
via Music For Nations
out on April 12, 2022
via Music For Nations
out on September 08, 2021
via Music For Nations