Planning For Burial

Today Planning For Burial announces new album ‘It’s Closeness, It’s Easy’, set for release on May 30^th via The Flenser - a soundtrack to life’s quiet changes—grief, love, and the bonds that time can’t break. Along with the announcement, he shares a first look at the album with the cavernous and foreboding single “A Flowing Field of Green.”
 
Planning for Burial is the solo project of Thom Wasluck, emerging from Wilkes-Barre, Pennsylvania. Combining vast heaviness and delicate ambience, he weaves a densely textured sonic palette where thick swathes of sound crash and roar, giving way to shimmers of celestial bliss. It’s potent stuff, and none-more-so than on first single “A Flowing Field of Green”.
 
Wasluck comments: "When I first wrote it I was thinking about how often on tour or when visiting other cities I’d want to move there away from everything I know. But I’ve been to a lot of places and lived in a few too and realized everywhere will suck if you let it. You gotta be the change you wanna see, you gotta make the things you want to happen become a reality no matter where you’re at."
 

If Planning For Burial’s previous release, 2017’s ‘Below the House’, was about returning home, following in the footsteps of your father and joining a union, and leaving behind youth’s wild days, ‘It’s Closeness, It’s Easy’ embraces what comes next—the weight of all years, the quiet shifts, the reckoning with what remains. This record is many things. It captures the slow drift of time, the unnoticed shifts in a loved one—the creeping changes in mental health, the quiet pull of addiction, the kind of grief that settles in the bones rather than announces itself.

At its core, ‘It’s Closeness, It’s Easy’ is about stepping into middle age and taking stock. It confronts the reality of living with the hand that’s been dealt and searching for meaning in what remains. It speaks to loss—the crushing weight of saying goodbye to a beloved 17 year old cat, the slow-motion grief of watching friends self-destruct, the inescapable passage of time as it bears down on aging parents and the self. But it also reflects the warmth of reconnection, the kind of love that never burns out but instead deepens. The feeling of picking up where things left off, untouched by the years in between.
 
While written over the course of two years, the recording process reflects a sense of immediacy. Rather than assembling songs piece by piece over time, the album took shape in singular, immersive sessions—less an act of construction, more an unveiling of something already waiting to take shape.
 
Rooted in a staunch DIY ethos, Wasluck handles every aspect of Planning For Burial project himself—recording the music, designing the artwork, and performing live as a one-man band. He books his own tours, ever and independent creative. This hands-on approach has led Planning for Burial to play hundreds of shows solidifying his place in the underground music scene. A defining moment came in 2018 when he performed at the Meltdown Festival in London, curated by Robert Smith of The Cure.

As of 2025 Planning For Burial has existed for 20 years. Wasluck’s debut full-length, ‘Leaving’ (2009), was released on Enemies List Home Recordings, the in-house label of Have a Nice Life. In 2014, he joined The Flenser with Desideratum, becoming a cornerstone for the label’s connection to community and ethos. The follow-up, ‘Below the House’ (2017), was met with widespread acclaim, further establishing Planning for Burial as a voice that's singular and unique.