Lucy Gooch

On her debut album, Lucy Gooch stays true to her electronic foundations, while incorporating more acoustic instrumentation and digging deeper into her folk roots through songwriting. But at the heart of Lucy’s music is her rapturous vocal, with which she has experimented more than ever over the course of her first full-length.

Lucy offers: “this was inspired by the painting “Old Maids” by Leonora Carrington. the surreal use of hallways doors and windows in her work is freeing and also unsettling. I was inspired by the possibilities of the world suggested, and so one evening I layered arpeggiators on the prophet, improvised the synth chords and then looped a stream of consciousness with words half formed.”

Lucy Gooch began releasing music with her acclaimed use of vocal layering on the debut ‘Rushing’ EP and the following ‘Rain’s Break’ EP; this genre-traversing collection of songs established her as rising new artist in 2021 with performances at Glastonbury, SXSW and Rewire. Following this flurry of activity, she experienced change and upheaval, whilst working on what would become her debut; moving from Bristol to Norwich before finally settling in York.

Many of the pieces on ‘Desert Window’ started out as vocal improvisations from which she pulled a narrative. Taking cues from the incantatory chanting found in middle English poetry such as ‘The Names of the Hare’, as well as the prescient imagery in contemporary works like ‘The Hearing Trumpet’ by Leonora Carrington (1974). “To a larger extent, this became an experiment in placing my voice in a more narrative way, while remaining oblique,” Gooch explains.

While her previous work could be compared to drawn-out landscapes punctuated with moments of romance and radiance, this album feels grounded in materiality and the everyday. These eight songs are deceptively obtuse, her vocals wandering the space between the conscious and the subconscious, between control and expression. The result is an atmospheric balance between Kate Bush and Cocteau Twins harmonies, Vangelis major chords, and a juxtaposition of folk ambience reminiscent of the offset madrigals of The Third Ear Band and Italian cult film composers Goblin.

‘Desert Window’ is a complex and elegant album, an all-consuming series of songs that reach into jazz, electronica and classical song construction.

Lucy will be performing a number of select live shows this Spring across the UK with Alabaster DePlume and an intimate headline show at Dalston’s Servant Jazz Quarter’s in East London on 12^th June.