Family Time, the blood-tied pair thrown into the limelight by virtue of their infamous hotel tour, and later celebrated for their 2019 conceptual pop opera, The Great Abismo, have returned.
Trading the humid backdrop of holiday resorts that illuminated their last work for a snow-stormed makeshift studio-shelter in Berlin, they have been working on new material, of which we are now offered an opening taste. New Positions, with a certain fin-de-siècle allure and cinematic poise, is a reflection on the mathematics of intimacy. How does any relationship fare when faced with cold, rational scrutiny? What happens when we poke at love with our anxieties? And will our numbers hold, we are asked, by the time we get to morning?